Óêðà¿íñüêà    |   English
Íà ïåðâóþ ñòðàíèöóÊàðòà ñàéòàÑâÿçàòüñÿ ñ íàìè
Engineer-Service Ltd.
News About company Service-centre OB Van/SNG Rental NextGen Energy Solutions Contact us

Catalogue

Cameras & Camcorders
Recorders
Monitors
Video Mixers & DSKs
Routing and signal distribution systems
Compression and transportation system
Sync & Timecode Generators
Modular Infrastructure
Controllers
Teleprompters
Lenses
Tripods
Camera support system
Matteboxes
Power supply solutions
Lighting equipment
Digital media systems for Broadcast and Newsrooms
Archive solutions
Audio equipment
Measurement equipment
Graphics systems
Intercom
Cables and accessories
Satellite systems
Video replay and multichannel recording systems
Recording media
Video conference
Equipment
Energy Solutions


Rent Equipment
Contact us
Vacancies
Forum
Our projects


Login
Password
Register »
Forgot password
 

Engineering Service, Inc.   »  News 
 
News




Regardless what kind of green screen setup you’re using or how you’re lighting it, you need to ensure that your screen is evenly-lit from the camera’s perspective. That means the screen behind your subject is all the same color and brightness. This can be harder than you may think, especially using a pop-up green screen and portable lights. But thankfully, with the advent of portable devices like smartphones and tablets, developers have been busy making useful tools to help you get a fantastic green screen lit, even before you set up your camera!
 
 

The Green Screener App from Hollywood Camera Work is one of the favorite mobile that uses your smartphone or tablet’s camera to show you a live preview metering of the evenness of your green screen lighting. It will automatically adjust exposure from your lighting and give you a good idea of how even the lighting is and show you hot spots/shadows. This doesn’t replace a professional scope, however, but is a great tool I use in conjunction with a scope to dial in my shot, even on larger studio sets.

The Green Screener gives you live feedback on several sensitivity modes; Lo, Me and Hi – which splits up the number of bands of accuracy for each level. If you’re shooting higher definition in a professional studio, then you want to use at least Me/Hi to fine tune your lighting level.

If you’re shooting on a pop-up screen with portable lights, then you only have to light a smaller area behind your subject, it’s easier to define that space by moving your lights around to adjust for it. I’ve found that there’s a big difference between using traditional tungsten “hot lights” and using fluorescents or LEDs, which typically provide more even lighting, especially if they’re dimmable. LED light kits are getting more affordable for small businesses and corporate video departments that need to use them for interviews and product videos.

The Green Screener is available for both iOS and Android devices and works equally as well on tablets as it does smartphones. You can get it at both the iTunes App Store and the Google Play Store.

 



« To the list of news  
New
Camera-top light
Zylight Newz
 
Extended search



 ïîñèëàííÿ íà FaceBook
QR êîä ïîñèëàííÿ íà FaceBook

ïîñèëàííÿ íà twitter
QR êîä ïîñèëàííÿ íà FaceBook


 






    +38 (044) 593-18-20
+38 (073) 593-18-20
+38 (096) 532-96-82
+38 (095) 532-96-82
Service center Telegram @Engineer_Service
  Copyright © Engineer-Service Ltd.
All rights reserved


   Developed by ROMART, 2007
 
 
    e-mail: engineer-service.tv
15 Vavylovykh str., Kiev, 04060, Ukraine
Authorized service centre of Panasonic, Sony, JVC, Fujinon, Canon