SAM (Snell Advanced Media) will offer hands-on demos of its new Morpheus UX, a user-definable control interface for the company’s Morpheus playout automation and ICE CiaB product line at NAB Show 2017. Morpheus UX, unveiled March 7 and available this month, is set to change the face of multichannel playout by giving customers an unmatched level of adaptability so they can precisely customize their channel views and focus on the specific functionality they need.

Band Pro (together with partners Angenieux and Jebsen Industrial) will debut the new Angenieux Type EZ-2 Zoom at this year’s NAB show. The Type EZ Series has enjoyed a hugely positive reception. Type EZ-2, the newest addition to the series, is a wide zoom lens providing 15-40mm F1.9 / T2 in S35 format. The same lens is configurable to 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal for full format cinematography.

EVS, the leader in live video technology for broadcast and new media productions, has announced that NEP Europe has selected its latest 4K live production technologies for two new UHD-4K supertrucks. The state-of-the-art OB facilities will be used to cover Switzerland's Raiffeisen Super League football and allow pay TV broadcaster Teleclub to deliver a more immersive ultra-high definition viewing experience to fans.

New Vocas matte boxes MB-216, MB-256 and MB-436 are available! The main differences between the previous models and their successors are top bar mount and the fact that the MB-216 and MB-256 are now suitable for swing away use!

When Toronto’s Dome Productions needed to upgrade its main studio audio console, the choice was easy: Calrec Audio’s Brio. The brand-new Brio replaces Dome Productions’ 15-year-old previous desk, launching the company into a new era of power, flexibility, and usability in the broadcast of live sports events. Installed in the studio’s control room, the Brio is used in conjunction with the mobile units for “remote-at-home”-style broadcasts.

LYNX Technik AG, provider of modular interfaces for broadcast and professional AV, is the recipient of a TM Broadcast International “Best of 2016” award for its greenMachine®. These technology business awards shed light on innovative companies in the Broadcast and Professional AV marketplace that are reshaping broadcast technology and redefining the business.

ATEME, a global leader in video compression solutions for broadcast, has announced that Cellnex Telecom has deployed ATEME’s Titan File multi-codec and multi-format video transcoding software in its Spanish operation. The solution was supplied by TmediaT, an ATEME partner, and is designed for bandwidth-efficient content transcoding up to 4K.

Timecode Systems today announced that it has been chosen as the sole supplier of timecode and sync products to Procam, one of the UK's largest digital cinematography and broadcast hire facility. The agreement comes as a result of a growing relationship between the two companies, which share the same commitment to using new technology innovatively to help production teams deliver increasingly ambitious shows as efficiently as possible.

Postium create the most feature-rich line of 4K production monitors. The OBM series offers full 4K support up to 4096×2160 at 60p signals and features 12G-SDI single link, 3G-SDI Dual Link, Quad Link 4K, and HDMI 2.0 inputs. In addition to multiple input support, the OBM series boasts color accuracy and panel uniformity that are essential for color critical applications. The monitors support side-by-side color space and gamma comparison as well as full 3D-LUT support. With the OBM series of monitors, Postium have prioritized quality and compatibility to offer the most complete and versatile line of 4K monitors.

When Ireland’s national broadcaster, Raidió Teilifís Éireann (RTÉ), decided the time had come to replace the aging intercom structure at its Dublin broadcast center, they chose a tender from Broadcast Video Services (BVS) of Loughlinstown, County Dublin, which recommended the RTS system for the upgrade.