After a complete evaluation of available cellular portable transmission solutions, the largest Hungarian media organization, Magyar Televízió (Hungarian Television, aka MTVA), selected the TVU One portable mobile newsgathering transmitter and deployed four of them for its location reporting from the Rio Summer Games earlier this month. The national public broadcaster used the lightweight TVU One units for live transmission from various world-renowned Rio locations for in-venue stand-up interviews and other broadcast activities.

Litepanels, a premier provider of LED lighting for the broadcast, film, and production industries and a Vitec Videocom brand, is excited to introduce the Lykos Bi-Color Flight Kit – an all-in-one solution perfect for any traveling cinematographer, video producer, or lighting professional. Applying the latest LED technology and Litepanels’ award-winning engineering, this new kit features the Lykos Bi-Color LED half panel which is a compact, lightweight lighting solution that produces full spectrum lighting for any production.

Panasonic announce a new "cinema-ready" version of its VariCam 35 aimed at high-end Hollywood studio customers. Jointly developed with Codex, the Panasonic VariCam Pure is a modular camera system with integrated 4K uncompressed recording at up to 120fps thanks to a new V-Raw 2.0 recorder design.

Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mm and larger image formats for cine and broadcast productions.

Without much fanfare, Panasonic introduced the HC-X1 (X1), a light, compact 4K Ultra HD professional camcorder that supports 4K 24p, UHD 60p/50p, FHD 60p/50p multi-format recording and HD super slow-motion. The new Panasonic HC-X1 Ultra HD Professional Camcorder, announced at IFA 2016, is developed to meet and exceed professional video production needs, while it offers a wide view of the world, with a newly integrated lens system which boasts the industry’s widest angle at 24mm and 20X zoom.

Sachtler, known for their camera support systems for broadcast and cinematography production, introduced the FSB 10 – a long-lasting new entry-level 100 mm fluid head. The new Sachtler FSB 10 builds upon the legacy of the lightweight yet robust FSB Series to offer a premium solution for on-the-go camera operators working in news, documentaries, wildlife, and more. The new tripod will debut at IBC 2016.

About two kilos (4.4 lbs), outstanding optical quality, long focus rotation angle, high quality materials – these properties characterize the newest cine lens for the Super 35 format from ZEISS: the ZEISS Lightweight Zoom LWZ.3 21-100mm/T2.9-3.9 T* (ZEISS LWZ.3). The new cine zoom is well-suited for sophisticated film shoots for many different application scenarios – from sports to music to documentary. The lens is compatible with all common film cameras like ARRI Amira, RED Raven or Sony FS7, and will be available starting January 2017.

Fresh on the heels of a purchase of 12 FUJINON lenses this spring, Denver-based firm Mobile TV Group (MTVG) has added two UA107x8.4 (UA107x) 4K UHD lenses onto its 39 Flex 4K mobile unit and 13 FUJINON HD lenses to its newest 40HDX HD production truck – set to launch late next month. This recent selection marks the first delivery in the U.S. of the UA107x lens, introduced this past April at the NAB show in Las Vegas.

NewTek™ is pleased to announce the immediate availability of NewTek TalkShow VS 4000, the professional, multi-channel video calling production system for both SDI and IP workflows, designed exclusively for conducting multiple live, production-ready Skype video calls simultaneously. NewTek TalkShow VS 4000 integrates multi-channel video calling to enable instant connection and live interaction online via Skype to facilitate compelling conversation and in-depth discussion between multiple remote guests in real time regardless of location.

EVS has provided IBC TV with its live production technology for eight years and with each show has delivered more and more systems for the IBC show’s TV channel. At IBC2016 EVS technology will be powering the whole IBC TV infrastructure from ingest to playout as the channel also integrates infrastructure from the VRT-EBU LiveIP studio project.