At the 2016 NAB Show, Calrec Audio unveiled RP1, a remote production engine that directly addresses an increasingly prevalent requirement for high-quality content from remote locations. Remote production offers the ability to capture a broader range of live events, such as sports, news, or regional music festivals. Broadcasters cannot always justify the time or expense of sending a dedicated outside broadcast truck and a team of skilled on-site operators for these niche events, but they must always ensure that the same high broadcast standards are met.

FOR-A introduced its innovative LTO-7 open standards linear tape server and its latest multi-codex archiving recorder. A highlight of FOR-A’s file management solutions display, the LTS-70 server is a powerful, cost-effective tool for broadcast and live video producers.

TVU Networks, the global technology leader in live IP video solutions, today announced the availability of TVU RPS (Remote Production System), a new, cost-effective alternative solution for live, remote, multi-camera news and sports coverage. Traditionally, major broadcast and sporting events are produced using on-site production trucks and a large number of production crews at the location. However, a mobile production truck with full crew and dedicated transmission equipment can be an expensive and complex proposition. That changes with the official launch of TVU RPS.

Sony unveiled the second generation of its Optical Disc Archive System, which adopts a new, high-capacity optical media developed jointly by Sony and Panasonic. This newest media, rated with a 100-year shelf life, doubles the capacity of a single cartridge to 3.3 TB. Generation 2 of Optical Disc Archive System also introduces an 8-channel optical drive unit, doubling read/write speeds over the previous generation, accommodating 4K video in real time and meeting the users’ increasing data storage needs.

Sachtler has upgraded their popular Video 18 fluid tripod head. The new Video 18 S2 can now handle a greater load bearing capacity of up to 20 kg, which is 4 kg more than the current Video 18 S1. This also brings it much closer in load bearing to the larger Video 20 S1 (that can take a load up to 25 kgs), but without having the larger head size. Sachtler claims that with this improvement, the Video 18 S2 is now the only head in its class that can operate at -40 to +60 degrees centigrade without any impact on its smooth operation.

Optical Devices Division of FUJIFILM North America introduced the FUJINON UA13x4.5 wide angle Ultra HD (UHD) lens. Part of the company’s flagship UA Series of 4K+ 2/3” lenses, the world’s first designed specifically for UHD broadcast applications, the UA13x delivers true 4K optical quality to 2/3-inch 4K ENG cameras and camcorders.

Panasonic have announced a new UX series of professional 4K camcorders, successor to the company’s AVCCAM series of professional AVCHD camcorders. Two models are currently under development and scheduled for release in the fall of 2016: the UX Premium Model AG-UX180, with a 1-inch (effective size) MOS sensor, optical 20x zoom and UHD 60p recording capability; and the UX Standard Model AG-UX90, featuring a 1-inch (effective size) MOS sensor, optical 15x zoom and UHD 30p recording.

Sony’s newest camera system combines 4K resolution with enhanced high frame rate capabilities — 8x at 4K, and up to 16x in full HD. This power is combined with dynamic center cut-out and zoom capabilities for live sports and event production.

Lectrosonics is pleased to introduce SRc and SRc5P Digital Hybrid Wireless dual-channel diversity "slot" receivers with Smart Tuning and SuperSlot™ compatibility, designed for top performance in tough RF environments, making them ideally suited for field production and other applications challenged by rough conditions.

According to EVS, both NEP Germany and NEP Belgium have recently acquired five XT3 live production servers. All of the servers come with EVS’ new Channel Max configuration and allow the companies to extend each server to 12 channels or more.